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The listening & use guide

Good music.
Clear expectations.

Listening to a preview, buying a recording, and playing music to the public are different things. Here is how we separate them. This guide explains the current offer; it is not a blanket commercial license.

01 / Personal listening

A small portfolio to listen to.

You may stream the public previews for personal, non-commercial listening and private evaluation of a potential commission. Where a complete free demonstration is explicitly linked, it is available for the same personal evaluation; a browser’s ability to save it does not create commercial-use permission.

The listening room is an original music demonstration, not a broadcast service or an unlimited music library. A preview is shorter than its complete arrangement; the player labels the preview duration. Only validated, available files are listed. Unavailable collections are requests for discussion, not promised releases.

Do not extract, repost, resell, redistribute, or place these public previews in your content. Please share a link to the listening room instead.

02 / Commissioned work

Your brief defines the permission.

We currently invite custom-space commissions, including warm instrumental lo-fi and Latin-inspired lounge. Sending an inquiry is not an order or acceptance. There is no published fixed price and no public music-pack checkout.

Before any invoice, a written agreement must identify the parties, the intended use and locations, music and any imagery, duration and file formats, revisions, delivery timing, price, payment terms, cancellation or refund terms, and the precise license being offered. Territory, term, exclusivity, attribution, and any permitted edits or looping should be stated rather than assumed.

Any license applies only to the specified deliverables and uses under that agreement and its payment conditions. It does not grant rights to the whole portfolio, other Somos Enece products, future recordings, or someone else’s reference material. Original imagery, if commissioned, needs its own specified uses too.

03 / Businesses & events

A recording license is not every license.

A café, restaurant, office, dental waiting room, shop, or event may need public-performance or other permissions under local law, including permissions administered by a collecting society or performing-rights organization. Requirements vary by territory, venue, audience, and use.

Access to an MP3, a paid invoice, or permission to use a sound recording does not by itself prove public-performance clearance for the underlying composition or every relevant right. We make no blanket “business safe,” “royalty-free everywhere,” or “all rights cleared” claim. Do not use the free previews as your venue’s business soundtrack.

Tell us the actual location and use in your inquiry. Any permissions we can offer must be documented; you remain responsible for obtaining additional venue, event, or local permissions that are not expressly included. Ask a qualified local adviser or the applicable rights body when needed. Music for a waiting room is an atmosphere choice, not a medical treatment or efficacy claim.

04 / Video & social platforms

Putting sound to a picture is a separate use.

Videos, advertisements, podcasts, games, livestreams, social posts, and branded campaigns are not automatically included in a venue-listening commission. Pairing music with images may require synchronization and sound-recording permissions; distribution, platform, territory, and audience restrictions may also apply.

Describe channels, paid advertising, monetization, anticipated reach, and whether clients or collaborators will publish the work. Get those uses agreed in writing before uploading. Credit alone is not permission. A platform accepting an upload does not establish that it is licensed.

We do not guarantee Content ID exemption, claim-free uploads, whitelisting, recommendation, monetization eligibility, platform qualification, or income. Do not register the recordings or compositions with a distributor or automated rights-claiming service unless a specific written agreement permits it.

05 / Ownership & sharing

Custom does not automatically mean exclusive.

Commissioning or paying for music does not automatically transfer copyright, make the work exclusive, or grant permission to sublicense it. Ownership, any exclusivity, and any permitted transfer must be explicitly negotiated. We do not make an unconditional copyright-exclusivity promise.

Unless your written agreement expressly allows it, do not sell or share source files, stems, or downloads; sublicense the work; distribute it as a standalone music release; use it in a competing music library; or claim that you composed it. Do not use recordings or artwork to train models or create a new asset library without an expressly agreed permission.

A musical or visual reference helps communicate taste. It is not a request to copy a protected recording, composition, brand, or artwork. Do not send confidential files, patient data, or material you lack permission to share.

06 / Payment & delivery

Inquiry, agreement, invoice, deliverables.

The inquiry form requires the existing Somos Enece Studio sign-in and explicit consent to store and respond to the request. It records an inquiry only when the service confirms it was saved. A confirmation is not a production booking, a quote, an email-delivery receipt, or a payment.

Only after scope and price are approved does an agreed commission proceed to a Stripe invoice. Do not assume a commission has been paid because you opened an invoice or returned from a payment page. Payment must be verified, and delivery follows the written agreement. Signing in grants no purchase, download entitlement, or music-use rights by itself.

Paid ad-free files, source materials, and bespoke imagery are not included in the free previews. Any paid deliverable must be explicitly listed in your agreement; no fixed-price downloadable pack is currently on sale. Keep the agreement and verified invoice together as your record of the actual offer.

07 / A question before use

Tell us what you have in mind.

If a use is not covered clearly, do not assume it is allowed. Describe the venue, audience, territory, channels, duration, and whether the use is commercial, and ask for written confirmation before using the music.

Read this guide alongside the site terms, privacy notice, and your own commission agreement. Nothing here removes statutory consumer rights. This is product information, not legal advice.